The Pushkin State Museum of Fine Arts supported by Triumph Gallery, as a part of the special VI Moscow Biennale of Contemporary Arts project, opens its doors to the exhibition called Rembrandt. A Different Perspective. At the exposition shows Dmitry Gutov’s works who isan artist from Moscow (born 1960) as well as the original Rembrandt Harmenszoon van Rijn works.(1606-1669).
Dmitry Gutov created an exposition based on the drawing by Rembrandt from the collection of The Pushkin State Museum of Fine Arts dedicated to the exhibiton: Young Woman with a Baby in Her Arms. The visitors have a chance to see the other Gutov’s works (Girl. 2015; Old Man. 2015; Christ in The Storm by The Sea of Galilee; In The Right Corner There Is a Bust of Scared Apostle. 2009), inspired by the drawings of the greatest Dutch artist.
The wide selection of works, besides the canvas from the permanent exhibition, such as Ahasuerus and Haman at the Feast of Esther (1660), includes the aquafortis from the Museum’s collection: The Rat Poison Peddler (1632), Blind Violinist (1631), Beggar in a High Cap, Standing and Leaning on a Stick (about 1629), The Flight into Egypt (1654), The Circumcision (1654), Holy Family (1654).
Dmitry Gutov is a participant of numerous exhibitions and biennales. His works are exhibited at The State Tretyakov Gallery, The State Russian Museum in Saint Petersburg and the Moscow Museum of Modern Art.
Dmitry Gutov works with photography, video, graphics, paintings, and he also creates large site-specific installations. Metallic spatial constructions, which mark theartist’s work, cannot be classified as one particular genre of art. This is not a piece of sculpture and not the object the way it is. One can see what depicted only from one direction, but due to the works’ of art voluminosity, the viewer may see them I many different ways, depending from the angle.
Due to his unique technique, Dmitry Gutov creates a graphic line with fantastic interwoven of metallic bars, that somehow gets out of the sheet of paper into the spacial dimension. This exhibition marks the Museum’s tradition of combining classical and contemporary art. The exposition demonstrates the old masters’ influence on contemporary ones.